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At Gaff's request, Mellencamp moved to London, England, for nearly a year to record, promote and tour behind 1978's A Biography. The worst thing was that I could have gone on making records like that for hundreds of years.

The record wasn't released in the United States, but it yielded a No. Riva Records added "I Need a Lover" to Mellencamp's next album released in the United States, 1979's John Cougar, where the song became a No. Pat Benatar recorded "I Need a Lover" on her debut album In the Heat of the Night. "The singles were stupid little pop songs", he told Record Magazine in 1983. It wasn't like the title was made up – it wasn't supposed to be punky or cocky like some people thought. Me and the guys in the band thought we were finished, anyway. Hell, as long as you sell a few records and the record company isn't putting a lot of money into promotion, you're making money for 'em and that's all they care about. They thought I was going to turn into the next Neil Diamond." In 1982, Mellencamp released his breakthrough album, American Fool, which contained the singles "Hurts So Good", an uptempo rock tune that spent four weeks at No.

14 hit "Authority Song", which he said is "our version of "I Fought the Law'." During the recording of Uh-Huh, Mellencamp's backing band settled on the lineup it retained for the next several albums: Kenny Aronoff on drums and percussion, Larry Crane and Mike Wanchic on guitars, Toby Myers on bass and John Cascella on keyboards. Learning those opened the band's vision to try new things on my songs.

In 1988, Rolling Stone magazine called this version of Mellencamp's band "one of the most powerful and versatile live bands ever assembled." On the 1984 Uh-Huh Tour, Mellencamp opened his shows with cover versions of songs he admired growing up, including Elvis Presley's "Heartbreak Hotel", the Animals' "Don't Let Me Be Misunderstood", Lee Dorsey's "Ya Ya" and the Left Banke's "Pretty Ballerina". It wasn't let's go back and try to make this part fit into my song, but I wanted to capture the same feeling – the way those songs used to make you feel.

During this time he used drugs and alcohol, stating in a 1986 Rolling Stone interview, "When I was high on pot, it affected me so drastically that when I was in college there were times when I wouldn't get off the couch.

I would lie there, listening to Roxy Music, right next to the record player so I wouldn't have to get up to flip the record over. There would be four or five days like that when I would be completely gone." Upon graduating from Vincennes University in 1974, Mellencamp played in several local bands including the glitter-band Trash, which was named for a New York Dolls song, and he later got a job in Seymour installing telephones.

In addition, he holds the record for the most tracks by a solo artist to hit number one on the Hot Mainstream Rock Tracks chart, with seven.

He has amassed 22 Top 40 hits in the United States.

In his music, mortality, anxiety, acts of God, questions of romance and brotherhood, and crises of conscience all collide and demand hard decisions.His songs document the joys and struggles of ordinary people seeking to make their way, and he has consistently brought the fresh air of common experience to the typically glamour-addled world of popular music."John Mellencamp is arguably the most important roots rocker of his generation.John has made fiddles, hammer dulcimers, Autoharps and accordions lead rock instruments on a par with electric guitar, bass and drums, and he also brought what he calls 'a raw Appalachian' lyrical outlook to his songs."It was too labored over, too thought about, and it wasn't organic enough. According to the February 1986 edition of Creem Magazine, Mellencamp wanted to incorporate the sound of classic '60s rock into Scarecrow, and he gave his band close to a hundred old singles to learn "almost mathematically verbatim" prior to recording the album.The record company thought it would bomb, but I think the reason it took off was – not that the songs were better than my others – but people liked the sound of it, the 'bam-bam-bam' drums. "Learning those songs did a lot of positive things", Mellencamp explained to Creem writer Bill Holdship.




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